This thing was billed as a “Spectacle,” which means it
could have been pretty much any kind of “performance art” from juggling to mime
to puppetry to circus acts to satiric sketches to magic show to mythological tableau to theatre of
the absurd to … well, who knows what! This production was called simply
“J’Oublie Tout” (“I Forget Everything”), which didn’t help define it much! But
I wanted to get in to see the now-almost-completed renovation of Carreau du
Temple, an impressive structure in the 3
rd arrondissement, so I went
ahead and bought a ticket. (For more info on this structure, see one of my
posts from 2008 here:
http://mariellen-musing.blogspot.com/2008/09/nobody-mistook-me-for-fashionista.html )
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The aftermath of the "Spectacle" |
Even after seeing the show, I can’t quite figure out what it
was. I guess that I’m going to have to attend more Spectacles to develop my
knowledge and appreciation of the art form! Entering the hall, we found a
proscenium stage; on the left in front of the curtain was a large framed
mostly-clay-colored “picture” with an attached paint brush on an easel; on the right was a metal tower with a pendulum, topped with a vacillating bird-type
creature. The lights went down and the “painting” started dripping
water as the attached brush moved up and down (one of the three actors was
sitting on a perch behind it and presumably operating the brush via a magnet),
revealing a bucolic painting behind the clay. The pendulum started making a
ticking sound and the bird’s mouth opened and closed. A gas lantern lit up. The
curtains opened. One actor was sitting on a chair underneath the end of a conveyor belt,
appearing to be sleeping, the belt started moving, and objects on the belt
started falling on his head. A spotlight lit up, projecting a distorted silhouette of him on a paper canvas toward the back of the stage. Another actor entered with a bucket of paint and painted the top edge of the silhouette very thickly and wetly, creating blue dribbles of paint on the canvas below the edge line. Then a large turtle started moving up the conveyor belt and
almost fell on the first actor, but he “woke up” first. He looked dazed and confused and
walked across the stage to another actor, who also appeared to be asleep, and
seemed to try to wake her up using various techniques including starting up a
puppet circular saw and log contraption. After she "woke up," she went to the back of the stage and tore the paper-canvas-with-silhouette along
the wet paint line. Etc. etc. etc. Large puppet objects
(not characters) and contraptions, dripping water and falling objects, canvases that are painted
and ripped, tilting and collapsing tables, recurring turtle sightings,
interactions but not connections, minimal vocalizations, sleep-states,
almost-awake-states, confusion-states, spotlight-projected silhouettes, squawking bird, etc.
continued for about 1.5 hours. The crowd went wild. Some of us went away
entertained but confused. Perhaps some of my theatre friends can speculate on
what it all meant! [P.S. one of my friends responded, "yes, but you must remember that the French were crazy about Jerry Lewis!"]
Here's a link to their Facebook page about this production. It even includes an equally mystifying video!
http://www.carreaudutemple.eu/2014/06/16/joublie-tout
Carreau du Temple is located between the “Temple” and “Republic”
Métro stops. It was raining by the time I got off the Métro, and I had
left my umbrella back in the apartment (again! – when will I ever learn?!?) when
I left in the early afternoon, so yup, I got soaked again. I did treat myself
to a cab ride home after the performance and walked by Saturne resto at around
11 pm to see if I could get in without a reservation (see Friday’s post for
more info about this place:
http://mariellen-musing.blogspot.com/2014/10/why-do-some-people-make-it-hard-to-be.html ). But no, they were totally booked for the evening and I could see that every
table was full of apparently happy diners. Gotta give it a try next time I’m in
town, and hopefully drag one or two others with me so that I’m not turned away
for being a party of merely one! Or maybe I should claim to be schizophrenic,
and say that there really are two in my party!
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The auditorium - nice comfy chairs! - it seats about 250 |
Here are some photos of the performance/concert hall (which is in the southeast corner of Carreau du Temple) - I took the interior shots after the show, hence very few patrons appear - the lobby areas were actually packed with people earlier in the evening:
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The hall's lobby and box office |
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The bar and restaurant (in the background) near the entrance |
1 comment:
The "spectacle" sounds like a throw-back to the non-realist experimentations of the early French symbolists who were really on the cutting edge of reactions to realism (Ibsen and his ilk). They rejected the vaulted claims of science at the end of the 19th century and believed truth to be found in symbols, spirituality, subjectivity and mystery. Even had a "manifesto" and a spokesperson - Stephen Mallarme (and drew inspiration from Poe, Wagner, Baudelaire and Dostoevsky). In theatre, innovators like Paul Fort, Lugne-Poe and Materlinck explored this direction in some very unusual productions that sound a lot like what you saw. It didn't take long for Jarry to come along with his anti-realistic piece, Ubu Roi, and that set the trajectory for surrealism and absurdism. And a related strain of "spectacles" came along in the 1960's that were called "happenings" only these involved audience and were far less structured. I would contend that the "spectacles" of Cirque du Soleil have roots in symbolism as well. Wish I could have seen this - sounds intriguing!
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