A shout out to my old pal Jeff Miller, who introduced me to Peter Brook's work decades ago! |
It would seem as if writer/director Peter Brook’s goal in
life is to shake you up, to throw you off kilter, to alter your perspective, to
astonish you. From his deconstructions
of Shakespeare and his original work (which I’ve seen) to his interpretations
of classics and the avant garde to his adaptations of ancient literature to his
film work to his opera directing (all of which I’ve only read about), he is a
master at creating worlds for his audience to fully inhabit and of making them
think.
His latest work, “The Valley of Astonishment,” is being
premiered at his Théâtre des Bouffes du Nord.
This out-the-back-door-of-Gare-du-Nord theater has existed for almost
140 years; Brook took it over in 1974.
It’s the epitome of shabby-chic, reminding me a lot of the Southern
Theater in Minneapolis, but with a more traditional horseshoe architecture and multiple
balconies. Gorgeous! http://www.bouffesdunord.com/en/season/518902192296d/the-valley-of-astonishment
Brook is now 89 years old, and this new play reflects his
ongoing fascination with the human mind, personhood, people living on the edge
of sanity, and Islamic thought. It is
based to some degree on true stories and the work of various neurologists and
Oliver Sacks. The three actors give
absolutely riveting performances playing multiple roles; the two musicians
provide both a soundscape and musical interludes. From the very first seconds of this 90-minute
play, when Kathryn Hunter sits on a plain wood chair on an empty stage and describes
gradually recognizing her mother’s face for the first time as an infant, you
are drawn into the lives of people with synesthesia and other such neurological
conditions. It is at moments profound,
insightful, clever, heartbreaking, hilarious and/or perplexing. The characters don’t always know what to
think of themselves, nor do their doctors and other people they encounter. You are led to ponder how much we really know
about ourselves, what science can teach us & what it can’t, the blessings and
liabilities of genius. The script, direction
and technical aspects are unobtrusively brilliant. And if our experience is the norm, this production
will engender lively philosophical discussions all the way home (and beyond!). Astonishment.
Yup, that’s the right word for it.
"The Valley of Astonishment" moves to London in June and to the U.S. later this year. Watch for it and then do whatever is necessary to see it, even if you can’t catch it at the marvelous Théâtre des Bouffes du Nord!
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